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Es sind viele Titel bei Amazon Trieste Kelly Video verfgbar. - Melden Sie sich an, um Ihre Wunschliste zu erstellenSie sind deutlich von den ebenfalls auf DVD oder Blu-ray Disc erhältlichen 3D-Filmen nach dem Anaglyphenverfahren zu unterscheiden, denen meist einige Farbfilterbrillen beigelegt sind beispielsweise Die Miss Finster zum Mittelpunkt der Erde 3D. Film-type Patterned Retarder (abgekürzt: FPR, LG-Produkt-Marketing: CINEMA 3D) ist die Bezeichnung für eine Technologie der stereoskopischen, digitalen. Ein 3D-Film (3-D-Film, dreidimensionaler Film, korrekter stereoskopischer Film oder veraltet Raumfilm) ist ein Film, der dem Zuschauer durch stereoskopische. 3D-Profis sind ebenfalls regelmäßig überrascht wie einfach und schnell man mit Cinema 4D zum Ziel kommt. Unzählige Tutorials und eine extrem hilfsbereite. Vom CINEMA 3D-Monitor, bei dem der neue dreidimensionale Standard zu überzeugen weiß, bis zu den beeindruckenden LED- und IPS-Bildschirmen mit. Published by A Real Space. Customer Review. It allows you to download error and virus free videos with high resolution. With this Movie Streaming App, you would be able to watch online movies and TV shows and download those as well. Usually ships Booking Com Hotline Germany 2 to 3 days.
Ironia della sorte, il film ha un'ampia diffusione nella versione in 3-D e viene accolto bene al botteghino. I film stereoscopici rimangono sotterranei per la prima parte degli anni sessanta , con l'apparizione di film di serie B in anaglifo.
La maschera e l'incubo The Mask , Il film viene girato in 2-D, ma, per migliorare la bizzarria del mondo onirico in cui si immerge il personaggio principale indossando una maschera tribale, il film viene girato in anaglifo 3-D.
Viene utilizzata una nuova tecnologia chiamata Space-Vision 3-D : i film stereoscopici vengono stampati sulla stessa pellicola, le due immagini parallele una dopo l'altra, nello spazio dello stesso frames, necessitando di un solo proiettore dotato di speciali lenti.
Arch Oboler ancora una volta ha una visione del sistema che nessun altro ha, e lo mette in pratica con il film di fantascienza The Bubble del , interpretato da Michael Cole, Deborah Walley , e Johnny Desmond.
Nel , Stereovision , un nuovo gruppo fondato dal regista e inventore Allan Silliphant e dal progettista ottico Chris Condon , sviluppano un differente formato su singola pellicola 35mm, che utilizza due immagini "schiacciate" affiancate l'una accanto all'altra, comprimendole e decomprimendole attraverso lenti anamorfiche e lenti polarizzate.
Louis K. Sher detto "Sherpix" e lo Stereovision realizzano con questo sistema la commedia softcore Le porno hostess in super 3-D The Stewardesses , auto-classificatosi con X, ma successivamente classificata R dall' MPAA.
Il film viene girato in formato 3-D 70mm. La leggenda del 3-D Chris Condon e il regista Ed Meyer sembra siano intenzionati a girare un remake del film Le porno hostess in super 3-D in XpanD , RealD e Dolby 3D nel Negli anni ottanta IMAX , che utilizza il formato 70mm in proiezione, comincia ad offrire documentari in 3-D dai 20 minuti di durata in su.
Utilizzando il processo sperimentato dal sistema Space-Vision, gli autori di cinema hollywoodiani, vengono colpiti da una mania del 3-D paragonabile a quella di una trentina di anni prima.
Tra questi figurano i titoli:. Di questi film solamente Comin' At Ya! Nel James Cameron realizza il documentario Ghosts of the Abyss , il primo film per il sistema IMAX 3-D ripreso utilizzando il sistema Reality Camera.
La stessa videocamera viene utilizzata nei film: Missione 3-D: Game over Spy Kids 3D: Game Over , , Aliens of the Deep e The Adventures of Sharkboy and Lavagirl 3-D Nell'agosto , il gruppo rap Insane Clown Posse realizza il loro nono album di studio Hell's Pit.
Una delle due versioni dell'album contiene un DVD extra con il cortometraggio Bowling Balls. Si tratta del primo film 3-D girato in High Definition Video.
Nel novembre il film Polar Express viene presentato come primo lungometraggio animato in 3-D realizzato per il sistema IMAX 3-D. Viene proiettato in 3.
Nel giugno del il cinema di Hollywood Mann's Chinese 6 Theatre diviene il primo grosso cinema commercial ad essere equipaggiato con il formato digitale 3-D.
Vengono testati in formato Digital 3D lungo l'arco di diversi mesi il film Cantando sotto la pioggia e Polar Express.
Nel novembre , i Walt Disney Studios presentano Chicken Little in formato digitale 3-D. Nel il film horror Scar viene presentato in prima nel mondo il film deve essere ancora distribuito negli Stati Uniti.
Si tratta del primo film narrativo in 3-D realizzato completamente in digitale ad opera di NHK and DitlevFilms. La postproduzione, compresi FotoKem e Technicolor, viene effettuata da Christian Ditlev Bruun della DitlevFilms a Los Angeles.
Gli ultimi adeguamenti al formato stereoscopico finali vengono dati da Skip City a Kawaguchi in Giappone con NHK. Nel gennaio la 3ality Digital e Nation Geographic realizzano U2 3D , il primo concerto dal vivo e il primo film live action a venire girato in 3-D utilizzando software e tecnologia sviluppata dalla 3ality Digital.
Il 16 gennaio la Lionsgate realizza San Valentino di sangue 3D My Bloody Valentine , un remake in 3-D digitale dell'horror del Ben Walters convince produttori e cinematografi a interessarsi nuovamente ai film 3-D.
Attraverso l'intera storia delle proiezioni 3-D, si sono sperimentate varie tecniche per convertire immagini 2-D in stereoscopiche. Poche di queste sono state efficaci e sono sopravvissute.
La combinazione di sorgenti digitali e materiale digitalizzato elaborati con costi relativamente contenuti, ha generato una nuova ondata di prodotti di conversione.
A tal proposito IMAX e Warner Bros. James Cameron ha girato i suoi nuovi film Avatar e Battle Angel attualmente in pre-produzione in 3-D digitale, utilizzando videocamere HDTV del sistema Fusion Camera.
Monster House e The Nightmare Before Christmas vengono realizzati in XpanD 3D, RealD e Dolby 3D nel A fine Steven Spielberg dichiara alla stampa di collaborare allo sviluppo di un sistema 3-D che non necessita di occhiali e si basa su schermi al plasma.
Un computer divide ogni frame del film e proietta le due immagini divise sullo schermo a differenti angolazioni, per poi essere trasmessa dalle sottili creste angolate sullo schermo.
Il 19 maggio il film Scar film apre il Festival di Cannes. Risulta anche il primo film al botteghino in svariati paesi del mondo, compresa la Russia dove viene presentato in 3-D in sale.
L'11 luglio , la Warner Bros. Il 21 novembre il 6 febbraio per la Gran Bretagna , la Walt Disney Pictures presenta Bolt - Un eroe a quattro zampe Bolt in Disney Digital 3D.
Il 16 gennaio la Lionsgate presenta San Valentino di sangue 3D My Bloody Valentine , il primo horror e il primo film R-rated a venire proiettato in RealD .
Il 29 maggio la Walt Disney Pictures e Disney Digital 3-D presentano il primo film Pixar in 3-D Up. Tutti i futuri titoli prodotti da Walt Disney Pictures e Pixar vengono realizzati in Disney Digital 3-D.
Another famous entry in the golden era of 3D was the 3 Dimensional Pictures production of Robot Monster. The film was allegedly scribed in an hour by screenwriter Wyott Ordung and filmed in a period of two weeks on a shoestring budget.
Robot Monster also has a notable score by then up-and-coming composer Elmer Bernstein. The film was released June 24, , and went out with the short Stardust in Your Eyes , which starred nightclub comedian, Slick Slavin.
Fleming, who also starred in Those Redheads From Seattle , and Jivaro , shares the spot for being the actress to appear in the most 3D features with Patricia Medina, who starred in Sangaree , Phantom of the Rue Morgue and Drums of Tahiti.
Darryl F. Zanuck expressed little interest in stereoscopic systems, and at that point was preparing to premiere the new widescreen film system, CinemaScope.
The first decline in the theatrical 3D craze started in August and September The factors causing this decline were:.
Because projection booth operators were at many times careless, even at preview screenings of 3D films, trade and newspaper critics claimed that certain films were "hard on the eyes.
Sol Lesser attempted to follow up Stereo Techniques with a new showcase, this time five shorts that he himself produced.
Although it was more expensive to install, the major competing realism process was wide-screen, but two-dimensional, anamorphic , first utilized by Fox with CinemaScope and its September premiere in The Robe.
Anamorphic films needed only a single print, so synchronization was not an issue. Cinerama was also a competitor from the start and had better quality control than 3D because it was owned by one company that focused on quality control.
However, most of the 3D features past the summer of were released in the flat widescreen formats ranging from 1. In early studio advertisements and articles about widescreen and 3D formats, widescreen systems were referred to as "3D", causing some confusion among scholars.
There was no single instance of combining CinemaScope with 3D until , with a film called September Storm , and even then, that was a blow-up from a non-anamorphic negative.
In December , 3D made a comeback with the release of several important 3D films, including MGM's musical Kiss Me, Kate. Kate was the hill over which 3D had to pass to survive.
MGM tested it in six theaters: three in 3D and three flat. The film, adapted from the popular Cole Porter Broadway musical, starred the MGM songbird team of Howard Keel and Kathryn Grayson as the leads, supported by Ann Miller , Keenan Wynn , Bobby Van , James Whitmore , Kurt Kasznar and Tommy Rall.
The film also prominently promoted its use of stereophonic sound. Several other features that helped put 3D back on the map that month were the John Wayne feature Hondo distributed by Warner Bros.
Paramount also released the cartoon shorts Boo Moon with Casper, the Friendly Ghost and Popeye, Ace of Space with Popeye the Sailor.
Paramount Pictures released a 3D Korean War film Cease Fire filmed on actual Korean locations in Top Banana , based on the popular stage musical with Phil Silvers , was brought to the screen with the original cast.
Although it was merely a filmed stage production, the idea was that every audience member would feel they would have the best seat in the house through color photography and 3D.
A string of successful films filmed in 3D followed the second wave, but many were widely or exclusively shown flat.
Some highlights are:. Even though Polaroid had created a well-designed "Tell-Tale Filter Kit" for the purpose of recognizing and adjusting out of sync and phase 3D, [ citation needed ] exhibitors still felt uncomfortable with the system and turned their focus instead to processes such as CinemaScope.
The last 3D feature to be released in that format during the "Golden era" was Revenge of the Creature , on February 23, Ironically, the film had a wide release in 3D and was well received at the box office.
Stereoscopic films largely remained dormant for the first part of the s, with those that were released usually being anaglyph exploitation films. The film was shot in 2-D, but to enhance the bizarre qualities of the dream-world that is induced when the main character puts on a cursed tribal mask, these scenes went to anaglyph 3D.
Although 3D films appeared sparsely during the early s, the true second wave of 3D cinema was set into motion by Arch Oboler, the producer who had started the craze of the s.
Using a new technology called Space-Vision 3D. The origin of "Space-Vision 3D" goes back to Colonel Robert Vincent Bernier, a forgotten innovator in the history of stereoscopic motion pictures.
His Trioptiscope Space-Vision lens was the gold standard for the production and exhibition of 3-D films for nearly 30 years. This so-called "over and under" technique eliminated the need for dual projector set-ups, and produced widescreen, but darker, less vivid, polarized 3D images.
Unlike earlier dual system, it could stay in perfect synchronization, unless improperly spliced in repair. Arch Oboler once again had the vision for the system that no one else would touch, and put it to use on his film entitled The Bubble , which starred Michael Cole , Deborah Walley , and Johnny Desmond.
As with Bwana Devil , the critics panned The Bubble , but audiences flocked to see it, and it became financially sound enough to promote the use of the system to other studios, particularly independents, who did not have the money for expensive dual-strip prints of their productions.
Louis K. Sher Sherpix and Stereovision released the softcore sex comedy The Stewardesses self-rated X, but later re-rated R by the MPAA. The quality of the s 3D films was not much more inventive, as many were either softcore and even hardcore adult films, horror films, or a combination of both.
Paul Morrisey's Flesh For Frankenstein aka Andy Warhol's Frankenstein was a superlative example of such a combination.
Between and there was a new Hollywood 3D craze started by the spaghetti western Comin' at Ya! When Parasite was released it was billed as the first horror film to come out in 3D in over 20 years.
Horror films and reissues of s 3D classics such as Hitchcock's Dial M for Murder dominated the 3D releases that followed. The second sequel in the Friday the 13th series, Friday the 13th Part III , was released very successfully.
Apparently saying "part 3 in 3D" was considered too cumbersome so it was shortened in the titles of Jaws 3-D and Amityville 3-D , which emphasized the screen effects to the point of being annoying at times, especially when flashlights were shone into the eyes of the audience.
The science fiction film Spacehunter: Adventures in the Forbidden Zone was the most expensive 3D film made up to that point with production costs about the same as Star Wars but not nearly the same box office success, causing the craze to fade quickly through spring Only Comin' At Ya!
Most of the s 3D films and some of the classic s films such as House of Wax were released on the now defunct Video Disc VHD format in Japan as part of a system that used shutter glasses.
Most of these have been unofficially transferred to DVD and are available on the grey market through sites such as eBay. Stereoscopic movies were also popular in other parts of the world, such as My Dear Kuttichathan , a Malayalam film which was shot with stereoscopic 3D and released in In the mids, IMAX began producing non-fiction films for its nascent 3D business, starting with We Are Born of Stars Roman Kroitor , A key point was that this production, as with all subsequent IMAX productions, emphasized mathematical correctness of the 3D rendition and thus largely eliminated the eye fatigue and pain that resulted from the approximate geometries of previous 3D incarnations.
In addition, and in contrast to previous 35mm-based 3D presentations, the very large field of view provided by IMAX allowed a much broader 3D "stage", arguably as important in 3D film as it is theatre.
The Walt Disney Company also began more prominent use of 3D films in special venues to impress audiences with Magic Journeys and Captain EO Francis Ford Coppola , , starring Michael Jackson being notable examples.
In the same year, the National Film Board of Canada production Transitions Colin Low , created for Expo 86 in Vancouver, was the first IMAX presentation using polarized glasses.
Echoes of the Sun Roman Kroitor , was the first IMAX film to be presented using alternate-eye shutterglass technology, a development required because the dome screen precluded the use of polarized technology.
From onward, numerous films were produced by all three parties to satisfy the demands of their various high-profile special attractions and IMAX 's expanding 3D network.
Films of special note during this period include the extremely successful Into the Deep Graeme Ferguson , and the first IMAX 3D fiction film Wings of Courage , by director Jean-Jacques Annaud , about the pilot Henri Guillaumet.
Shortly thereafter, higher quality computer animation , competition from DVDs and other media, digital projection, digital video capture, and the use of sophisticated IMAX 70mm film projectors, created an opportunity for another wave of 3D films.
In , Ghosts of the Abyss by James Cameron was released as the first full-length 3D IMAX feature filmed with the Reality Camera System. This camera system used the latest HD video cameras, not film, and was built for Cameron by Vince Pace, to his specifications.
The same camera system was used to film Spy Kids 3-D: Game Over , Aliens of the Deep IMAX , and The Adventures of Sharkboy and Lavagirl in 3-D In , Las Vegas Hilton released Star Trek: The Experience which included two films.
One of the films, Borg Invasion 4-D Ty Granoroli , was in 3D. In August of the same year, rap group Insane Clown Posse released their ninth studio album Hell's Pit.
One of two versions of the album contained a DVD featuring a 3D short film for the track " Bowling Balls ", shot in high-definition video.
In November , The Polar Express was released as IMAX's first full-length, animated 3D feature. It was released in 3, theaters in 2D, and only 66 IMAX locations.
The 3D version earned about 14 times as much per screen as the 2D version. This pattern continued and prompted a greatly intensified interest in 3D and 3D presentation of animated films.
In June , the Mann's Chinese 6 theatre in Hollywood became the first commercial film theatre to be equipped with the Digital 3D format.
Both Singin' in the Rain and The Polar Express were tested in the Digital 3D format over the course of several months.
In November , Walt Disney Studio Entertainment released Chicken Little in digital 3D format. The Butler's in Love , a short film directed by David Arquette and starring Elizabeth Berkley and Thomas Jane  was released on June 23, Ben Walters suggested in that both filmmakers and film exhibitors regain interest in 3D film.
There was more 3D exhibition equipment, and more dramatic films being shot in 3D format. One incentive is that the technology is more mature.
Shooting in 3D format is less limited, and the result is more stable. Another incentive was the fact that while 2D ticket sales were in an overall state of decline, revenues from 3D tickets continued to grow at the time.
Through the entire history of 3D presentations, techniques to convert existing 2D images for 3D presentation have existed. Few have been effective or survived.
The combination of digital and digitized source material with relatively cost-effective digital post-processing has spawned a new wave of conversion products.
In June , IMAX and Warner Bros. George Lucas announced that he would re-release his Star Wars films in 3D based on a conversion process from the company In-Three.
Later on in , it was announced that Lucas was working with the company Prime Focus on this conversion. In late , Steven Spielberg told the press he was involved in patenting a 3D cinema system that did not need glasses, based on plasma screens.
A computer splits each film-frame, and then projects the two split images onto the screen at differing angles, to be picked up by tiny angled ridges on the screen.
Animated films Open Season , and The Ant Bully , were released in analog 3D in Monster House and The Nightmare Before Christmas were released on XpanD 3D , RealD and Dolby 3D systems in On May 19, Scar3D opened at the Cannes Film Market.
It was the first US-produced 3D full-length feature film to be completed in Real D 3D. It has been the 1 film at the box office in several countries around the world, including Russia where it opened in 3D on screens.
On January 19, , U2 3D was released; it was the first live-action digital 3D film. On January 16, , Lionsgate released My Bloody Valentine 3D , the first horror film and first R-rated film to be projected in Real D 3D.
Another R-rated film, The Final Destination , was released later that year in August on even more screens. It was the first of its series to be released in HD 3D.
Major 3D films in included Coraline , Monsters vs. Aliens , Up , X Games 3D: The Movie , The Final Destination , Disney's A Christmas Carol , and Avatar.
The main technologies used to exhibit these films, and many others released around the time and up to the present, are Real D 3D , Dolby 3D , XpanD 3D , MasterImage 3D , and IMAX 3D.
March and April saw three major 3D releases clustered together, with Alice in Wonderland hitting US theaters on March 5, , How to Train Your Dragon on March 26, , and Clash of the Titans on April 2, On May 13 of the same year, China's first IMAX 3D film started shooting.
On October 1, Scar3D was the first-ever stereoscopic 3D Video-on-demand film released through major cable broadcasters for 3D televisions in the United States.
Released in the United States on May 21, , Shrek Forever After by DreamWorks Animation Paramount Pictures used the Real D 3D system, also released in IMAX 3D.
In September , Sabucat Productions organized the first World 3-D Exposition, celebrating the 50th anniversary of the original craze.
The Expo was held at Grauman's Egyptian Theatre. During the two-week festival, over 30 of the 50 "golden era" stereoscopic features as well as shorts were screened, many coming from the collection of film historian and archivist Robert Furmanek, who had spent the previous 15 years painstakingly tracking down and preserving each film to its original glory.
In attendance were many stars from each film, respectively, and some were moved to tears by the sold-out seating with audiences of film buffs from all over the world who came to remember their previous glories.
In May , the second World 3-D Exposition was announced for September of that year, presented by the 3-D Film Preservation Fund.
Along with the favorites of the previous exposition were newly discovered features and shorts, and like the previous Expo, guests from each film.
Expo II was announced as being the locale for the world premiere of several films never before seen in 3D, including The Diamond Wizard and the Universal short, Hawaiian Nights with Mamie Van Doren and Pinky Lee.
Other "re-premieres" of films not seen since their original release in stereoscopic form included Cease Fire! Also shown were the long-lost shorts Carmenesque and A Day in the Country both and William Van Doren Kelley's two Plasticon shorts and In the wake of its initial popularity and corresponding increase in the number of screens, more films are being released in the 3D format.
As Brandon Gray of Box Office Mojo notes, "In each case, 3D's more-money-from-fewer-people approach has simply led to less money from even fewer people.
Conflicting reasons are respectively offered by studios and exhibitors: whereas the former blame more expensive 3D ticket prices, the latter argue that the quality of films in general is at fault.
However, despite the perceived decline of 3D in the U. Studios are also using 3D to generate additional income from films that are already commercially successful.
Such re-releases usually involve a conversion from 2D. For example, Disney has reissued both The Lion King and Beauty and the Beast , with plans to add some of its other well-known titles.
Jeffrey Katzenberg , a producer of 3D films and one of the leading proponents of the format, blames oversaturation of the market with inferior films, especially ones photographed conventionally and then digitally processed in post-production.
He claims that such films have led audiences to conclude that the format is not worth the often much higher ticket price.
It may have died from a case of acute septicemia —too much crap in the system. Film critic Mark Kermode , a noted detractor of 3D, has surmised that there is an emerging policy of distributors to limit the availability of 2D versions, thus "railroading" the 3D format into cinemas whether the paying filmgoer likes it or not.
Stereoscopic motion pictures can be produced through a variety of different methods. Over the years the popularity of systems being widely employed in film theaters has waxed and waned.
Though anaglyph was sometimes used prior to , during the early "Golden Era" of 3D cinematography of the s the polarization system was used for every single feature-length film in the United States, and all but one short film.
The following are some of the technical details and methodologies employed in some of the more notable 3D film systems that have been developed.
The standard for shooting live-action films in 3D involves using two cameras mounted so that their lenses are about as far apart from each other as the average pair of human eyes, recording two separate images for both the left eye and the right eye.
In principle, two normal 2D cameras could be put side-to-side but this is problematic in many ways. The only real option is to invest in new stereoscopic cameras.
Moreover, some cinematographic tricks that are simple with a 2D camera become impossible when filming in 3D. This means those otherwise cheap tricks need to be replaced by expensive CGI.
In , Journey to the Center of the Earth became the first live-action feature film to be shot with the earliest Fusion Camera System released in Digital 3D and was later followed by several others.
Avatar was shot in a 3D process that is based on how the human eye looks at an image. It was an improvement to the existing 3D camera system.
Many 3D camera rigs still in use simply pair two cameras side by side, while newer rigs are paired with a beam splitter or both camera lenses built into one unit.
While Digital Cinema cameras are not a requirement for 3D they are the predominant medium for most of what is photographed. Film options include IMAX 3D and Cine Of course it features all of the standard animation tools you would expect from a high-end 3D package.
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Download Certified Similar to 4. Windows macOS. Last updated:. November 29, Maxon Computer. With your headset and Cinema3D, no new equipment is needed to view your favorite 3D movies in a customizable and immersive environment that will make you forget the theater entirely.
Cinema3D frees you from the constraints of space; while the app makes it easy to simply import your videos and sit back to watch, with Cinema3D you can also enhance the experience by zooming in until the world surrounds you.
You can even bring in your non-stereo 3D movies so your viewing experience can be simple and seamless. With Cinema3D you can enjoy your movies at your fingertips, in your way.
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Privacy Statement. Cinema3D A Real Space. Continue Cancel. Free Trial. See System Requirements.Ohne Brille ist so ein Film auch ganz normal ohne Doppelkonturen oder Farbverfälschungen wie beim anaglyphen Film ansehbar. CinemaScope Geliebte Weiße Maus nur ein sehr breites Bild, das anfangs auf eine gebogene Kinoleinwand projiziert wurde. Bei der Aufnahme wird die Kamera seitwärts bewegt, und so entsteht beim Ansehen Pro7 Mittwoch Serie ein stereoskopischer Effekt. Im Internet- Versandhandel waren auch DVDs mit IMAX-3D-Filmen stereoscopic 3D, field sequential verbreitet, die auf passenden Wiedergabegeräten NTSC -tauglich auch zu Hause eine echte räumliche Wiedergabe ermöglichten. Cinema 3d free download - Media Player Classic Home Cinema, Media Player Classic Home Cinema (bit), CINEMA 4D Update, and many more programs. Il cinema tridimensionale (noto anche come cinema 3-D o cinema stereoscopico) è un tipo di proiezione cinematografica, che grazie ad alcune specifiche tecniche di ripresa, fornisce una visione stereoscopica delle daewoomt.com la corretta fruizione sono necessari accorgimenti tecnici sia per la proiezione (sono necessari appositi dispositivi quali proiettori e talvolta schermi dedicati), che. The earliest confirmed 3D film shown to an out-of-house audience was The Power of Love, which premiered at the Ambassador Hotel Theater in Los Angeles on 27 September The camera rig was a product of the film's producer, Harry K. Fairall, and cinematographer Robert F. Elder. It was filmed dual-strip in black and white, and single strip color anaglyphic release prints were produced using a.