Youngblood (): Post-Stalinist cinema and the myth of world war II: Tarkovskii's 'Ivan's childhood' () and Klimov's 'come and see' (). Come and See is set in Byelorussia in and provides testimony to the brutality of the Nazi invasion, the collaboration of some of the inhabitants, and the widespread genocide and destruction perpetrated upon those who lived in this occupied territory. Weißrussland, Die Wehrmacht befindet sich auf dem Rückzug. Im Rahmen der von Hitler befohlenen `Politik der verbrannten Erde' wüten die deutschen Soldaten und ermorden systematisch vor allem Zivilisten, Männer, Frauen und Kinder. Als der.
Komm und sieh("Come and See" sounds like an invitation to a child's game. Nothing could be further from the truth.). Hier sei eine „halluzinatorische Unterwelt aus Blut und. Many translated example sentences containing "come and see you" – German-English dictionary and search engine for German translations. Was ist "Come and SeE"? Ein "Energieerlebnistag", bei dem die Themen Energie, Energiepotenziale, Energieeinsparung und regenerative Energieerzeugung.
Come And See User Links VideoCOME AND SEE Trailer Beispiele für die Übersetzung besuchen ansehen Verb 88 Beispiele mit Übereinstimmungen. Alexei Rodionow. Dieses Verb konjugieren. Suchverlauf Lesezeichen.
Sprechen Sie Come And See schon bei der Buchung mit dem Escort Girl Ihrer Wahl ab, der sich nun als Tatortreiniger bettigt. - NavigationsmenüIch bin immer aus Kandor abgehauen, um Lara zu besuchen.
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Come and See. Director: Elem Klimov as E. Writers: Ales Adamovich story as A. Adamovich , Ales Adamovich screenplay as A. Available on Amazon.
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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Show HTML View more styles. Top Rated Movies 3 wins. Edit Cast Credited cast: Aleksey Kravchenko Flyora Gayshun Olga Mironova Glasha Liubomiras Laucevicius Kosach as L.
Lautsyavichius Vladas Bagdonas Rubezh Jüri Lumiste Obersturmführer Viktors Lorencs Sturmbannführer as V. Lorents Kazimir Rabetsky Village Headman Evgeniy Tilicheev I wanted to find a simple boy fourteen years of age.
We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy.
Fortunately, with Aleksei Kravchenko, who played Flyora and who later became a good actor, everything went smoothly.
I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich.
But he replied: "Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace.
Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film. Even the language spoken in the film is Belarusian.
What was important was that all the events depicted in the film really did happen in Belarus. For eight years,  filming could not begin because the State Committee for Cinematography Goskino would not accept the screenplay, considering it too realistic, calling it propaganda for the "aesthetics of dirtiness" and "naturalism".
The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler   Elem Klimov also says this in the UK DVD release.
The film was shot in chronological order over a period of nine months. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired.
In fact, a special Silber Interference Grease-Paint, alongside a thin layer of actual silver, was used to dye his hair.
This made it difficult to get his hair back to normal, so Kravchenko had to live with his hair like this for some time after shooting the film.
He could have landed in an insane asylum," Mr. Klimov said. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role"   with some autogenic training.
To create the maximum sense of immediacy, realism , hyperrealism , and surrealism operate in equal measure. The extreme close-ups of actors staring into camera is a recurring motif.
The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. The German military march "Old Comrades " is played as the German army begins its attack on the village.
At the end of the film, the partisans walk through a winter woodland to the sound of Mozart 's Lacrimosa before the camera tilts towards the sky and the ending credits appear.
There's a curious scene here in a wood, the sun falling down through the leaves, when the soundtrack, which has been grim and mournful, suddenly breaks free into Mozart.
And what does this signify? A fantasy, I believe, and not Florya's, who has probably never heard such music. The Mozart descends into the film like a deus ex machina , to lift us from its despair.
We can accept it if we want, but it changes nothing. It is like an ironic taunt. And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see!
And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
The film was released on 17 October ,   drawing In , the film received an official restoration overseen by Karen Shakhnazarov.
It won the Venice Classics Award for Best Restored Film , and was also shown in several European independent cinemas again. In the film was released on DVD in the United States by Kino Lorber.
This release is currently out-of-print. The film became available on FilmStruck ,  the streaming service for the Criterion Collection from its opening on 1 November to its closing on 29 November , and from November on the new Criterion Channel service.
Initial reception was positive. Walter Goodman wrote for The New York Times that "The history is harrowing and the presentation is graphic Powerful material, powerfully rendered And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade.
The director has elicited an excellent performance from his central actor Kravchenko". According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad.
I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth.
And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren". The film has since been widely acclaimed in the 21st century.
In Daneet Steffens of Entertainment Weekly wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll.
In , J. Hoberman of The Village Voice reviewed Come and See , writing the following: "Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary — not so much graphic as leisurely literal-minded in its representation of mass murder.
The movie has been compared both to Schindler's List and Saving Private Ryan , and it would not be surprising to learn that Steven Spielberg had screened it before making either of these.
The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction.
For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression.
In , Scott Tobias of The A. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog.
A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Come and See is the most unforgiving war film I have ever seen.
It is an astonishing work of pure devastation. The filmmaking is emotive, intent on capturing the experiences of the characters more than their reality, using both audio and visual techniques that emulate human perception.
The best war films are made by sides who lost or suffered great losses. Come and See is thus a poignant reminder that the Eastern Front was the deadliest conflict in human history.
Hollywood, rarely able to contemplate that all war is a human disaster, would never and could never make a film like this.
At first I thought people had overstated the horrors of Come and See , but the final act presents…. Major props to the leading actor in this as well, Aleksei Kravchenko, as he for sure gave it his all here.
Review by Wahltart Whit. Watching this movie is just an experiment in how much pain,angst, anguish you can take without taking your eyes of the screen.
You watch a boy finding a rifle on the bench and joyously celebrating in his naivete to a one robbed of his innocence and youth shooting with hate at a picture of Hitler with the same rifle that changed his life.
Watching this, I couldn't shake the similarities with Grave of Fireflies with the sister replaced by a love interest of sorts.
The gradual loss of his innocence hits you hard and his every tragedy that much more heart wrenching. Just to let you know, before I get into this, I didn't rewatch Come And See but I wanted to put my thoughts out.
Now, if you didn't notice, and you probably didn't, very early today, or yesterday depending on your time zone, I started slashing all of my scores down.
I don't know what the Hell made me feel like this, but as a movie fan, I've been feeling pretty insignificant, and pretty low lately, and I feel like my opinion isn't really contributing anything, and I've just became really cynical; therefore, I slashed my scores.
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