Duell ist ein unter der Regie von Steven Spielberg entstander Thriller und sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte. Er hat überlebt: der Original-Peterbilt aus Steven Spielbergs Thriller „Duell“ in Titel des Erstlingswerks von Hollywood-Regisseur Steven Spielberg aus dem. Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen.
Duell (Film)Duell ist ein unter der Regie von Steven Spielberg entstander Thriller und sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte. Spielberg - wie alles begann Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des. Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen.
Dieses Motiv The Loft Netflix den Horrorfilm vom Fantasyfilm, um herauszufinden, Presseclub Live (John Boyega) und Poe Dameron (Oscar Isaac) weiter Hauptfiguren bleiben und selbstverstndlich die Rebellen oder einzelne berlebende den Kampf gegen die Erste Ordnung fortfhren! - 18 Seiten, Note: 1,0Ein Indiz auf die Wandlung der Hauptfigur vom Gehetzten zum Triumphator.
What begins as an average day for salesman David Mann quickly turns into a merciless showdown between himself and a seemly driverless truck somewhere in a nearly forsaken countryside.
The eerie shots of a giant, boisterous and filthy-looking truck versus the classy red Plymouth Valiant are the most tense road-rage images I ever beheld and they're guaranteed to make your blood pump faster!
The film is terrifically cut in half when the protagonist stops a roadside restaurant to analyze his uncanny situation. While recovering from the previous assault, Mann notices that the monstrous truck is also parked outside the diner so one of the unfriendly guests present there more than likely is his assaulter.
This sequence, brilliantly illustrated by pan camera movements and atmospheric voice over sound, perfectly proves how an amazing director Spielberg is.
Especially when you bear in mind he only was 26 at the time Duel was released and he mostly worked with a crew of veteran filmmakers.
This simply is one of the most action-filled movies ever made and a timeless classic. THIS is how we like to see Spielberg! Giant monstrosity!
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Segui i suggerimenti del progetto di riferimento. Dennis Weaver : David Mann Jacqueline Scott : signora Mann Eddie Firestone : proprietario del bar Lou Frizzell : autista del bus Gene Dynarski : uomo nel bar Lucille Benson : signora allo Snakerama Tim Herbert : benzinaio Charles Seel : signore anziano Shirley O'Hara : cameriera Alexander Lockwood : Jim Amy Douglass : anziana nell'auto Carey Loftin : autista dell'autocisterna Dale Van Sickel : autista dell'auto.
Dick Whittington : se stesso. Giorgio Bandiera : David Mann doppiaggio Ennio Coltorti : David Mann ridoppiaggio Antonella Rinaldi : signora Mann Roberto Draghetti : autista del bus Luigi Ferraro : benzinaio Dario De Grassi : signore anziano Paola Giannetti : cameriera Teo Bellia : Dick Whittington.
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A longer opening sequence was added with the car backing out of a garage and driving through the city. Expletives were also added, to make the film sound less like a television production.
Spielberg lobbied to have Dennis Weaver in the starring role because he admired Weaver's work in Orson Welles ' Touch of Evil. In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".
Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.
Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.
His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.
Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver. The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.
The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie. The original release of Duel featured a model with a V-8 engine  and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.
All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.
Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.
He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.
During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take. One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.
The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences. The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.
The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.
Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".
Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.
Throughout the film, there is very little dialogue given to Matheson's character, David Mann, and none whatsoever to the antagonistic truck driver.
Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves.
Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.
There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.
Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.
This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.
The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.
According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.
The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.
Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.
Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.
Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.
He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue.
Duel was initially shown on American television as an ABC Movie of the Week installment. It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.
The film's success enabled Spielberg to establish himself as a film director. Duel was released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.
The film received many positive reviews and is considered by some to be one of the greatest TV movies ever made. Interpretations of Duel often focus on the symbolism of Mann and the truck.
Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.
Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival. From Wikipedia, the free encyclopedia.
International theatrical release poster. Universal Television. Spielberg filmed the crash with seven cameras from multiple angles to be able to use some editing tricks to stretch out the scene.
As the truck rams the car over the cliff and falls off in the final film, there is a low roar sound effect that the filmmaker included to emphasize the death of the truck.
The Snakerama gas station seen in the film also appears in Spielberg's World War II comedy, , with actress Lucille Benson again appearing as the proprietor.
The two elderly people Weaver tries to flag down in a car also appear as helpless motorists in Close Encounters of the Third Kind. Spielberg was not happy when stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break.
Additional Sources: Duel Blu-ray Special Features. BY Sean Hutchinson. THE MOVIE WAS INSPIRED BY A REAL-LIFE INCIDENT. Universal Pictures Home Entertainment.
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